A Perfect Match Of Form And Content, Storeyville Was Originally Published In 1995 As A 40 Page Tabloid Newspaper Now Rare, It Was Printed In Black And White, Along With A Set Of Three Muted Tones Ranging From Sandy Yellow To Deep Sepia, And It Described The Arc Of A Youthful Adventure That Took Its Protagonist, Will, From Pittsburgh, Pennsylvania To Montreal, Quebec At The Opening Of The Twentieth Century Rendered With Humor, Pathos And A Gentle Graphic Flair, This Story Brings Will To Terms With Himself And His Fate It Is A Sprawling Story That Gives Santoro Ample Opportunity To Showcase His Love Of Drawing Through Dramatic Cityscapes, Landscapes And Seascapes Rendered In A Unique Combination Of Pencils, Inks And Grey Scale Markers Hugely Influential On The Likes Of Chris Ware, Seth And Many Others, This Long Out Of Print Cult Work Finally Gets A Proper Release With This Deluxe New Hardcover Edition Frank Santoro S Work Was Recently Shown At Canada Gallery, New York. I can t even guess how many times I ve read Storeyville, but it gets better each time It felt a little strange reading it in a hardback format rather than on newsprint, but if you don t have this get it. I can totally see why this book is so influential in terms of art, design, layout and all kinds of other things It s a beautiful book that is beautifully created Plotwise, it s solid, but nothing mind blowing Definitely a recommended read for anyone seriously interested in comics. I admire and appreciate this when I m reading the extra materials and flipping through the pages than when I m actually reading it, panel by panel I get that it s groundbreaking and important, I just didn t connect. An absolutely beautifully drawn book, and lovely story about friendship, identity and going your own way. 3.5 stars, natch. Oh do I remeber when Frank gave me the newsprint edition Thought he was full of shit, but he pulled it off Reminds me of a Neil Young song that was never there. This is just breathtakingly beautiful and in such a large format I love a picture book with no words. I read this when it first came out, in 1995, as a newsprint standalone when Frank Santoro and his then girlfriend, Katie Glicksberg, who did the colors and handled production, were living in the vaguely defined Tenderloin of San Francisco They had stacks and stacks of it still in their tiny apartment a year later, when I moved down from Sacramento to take a new job It says something about the unpredictable path of culture that dozen years later the book had bee I stumbled across this at the library The artwork is absolutely beautiful, but I wanted a little from the story and there were times when I was a little confused But the art is amazing.